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Published: 8/12/2013 - Updated: 8 months ago

TELEVISION

Image-sensitive networks are taking issue with critics’ sarcastic tweets

BY GREG BRAXTON
LOS ANGELES TIMES
From left, Martin Mull, Giovanni Ribisi, Brenda Song, and Seth Green in a scene from 'Dads,' a new live-action comedy on Fox from the team behind 'Ted' and 'Family Guy.' From left, Martin Mull, Giovanni Ribisi, Brenda Song, and Seth Green in a scene from 'Dads,' a new live-action comedy on Fox from the team behind 'Ted' and 'Family Guy.'
JENNIFER CLASEN/FOX Enlarge

CBS executives and publicists huddled in the back of the International Ballroom at the Beverly Hilton with anticipation.

The network, one of more than a dozen participating over a two-week period, was hosting a marathon day previewing its new fall shows at the Television Critics Association press tour, a semi-annual gathering of more than 200 TV journalists and bloggers from around the country. Network honchos were naturally hoping their slate of comedies and dramas would get a positive response from the room. Instead, they got bitten by a “snark-nado.”

Tim Goodman, TV critic for the Hollywood Reporter (@BastardMachine), tweeted about two coming network sitcoms: “Not sure you could make the pilot for We Are Men any worse unless someone from The Millers farted on it.”

Meanwhile, blogger Roger Catlin (@rcatlin) tweeted that the network’s new thriller Hostages “is certainly a relatable concept in a ballroom where people have been stuck for a week and have to stay for another” CBS press tour.

Welcome to the 2013 TCA press tour, where social media is rattling the relationship between publicity-hungry networks and journalists under mounting pressure to deliver immediate, constant 140-character commentary to attract readers. Where once journalists might have gossiped, sniped, and snarked privately during Q and A sessions, the Twitter age has provided a very public arena for those comments — much to the chagrin of image-sensitive networks.

As the two-week conference wraps up, network and cable executives are quietly fuming once again over what they regard as Twitter’s dark side. While prizing the social media platform as a powerful device to promote their shows, executives nonetheless complain that Twitter has given rise to a new journalistic culture of snark that encourages incivility, cheap shots, and a pile-on mentality, often at the expense of providing meaningful context and analysis.

“It’s gotten absolutely appalling,” said a top network honcho, who requested anonymity for fear of reprisals by TCA journalists. “Much of the coverage isn’t even about the shows — it’s about what people are wearing, it’s gotten into personal insults. There’s just a real lack of respect.”

For decades the press tour was a mostly symbiotic relationship in which programmers promoted their new shows to an eager press who received easy access to stars and creators. But the Twitter explosion has shifted the dynamics.

“This constant snarking has changed the whole tenor of the tour,” said one network executive who asked to remain anonymous for fear of being penalized by TCA members. “Of course everyone is entitled to their own opinion. But what happens is everyone tries to out-tweet each other. They’re forming these personas behind their Twitters.”

Fox’s panel last week on its new sitcom Dads generated a flurry of tweets among journalists, virtually none flattering. The comedy about aging fathers and their more enlightened adult sons features several jokes aimed at people of color. Many of the conference’s predominantly white journalists denounced the series as racially offensive.

The snark was bubbling even before the panel began as members encouraged each other to attack the show. C. Joan Porter, entertainment editor for MSN Canada (@cjoanporter), tweeted that the Dads panel “is about to be a blood bath. It’s giving me hives just thinking about it.”

Lisa Palmer (@TVTherapy) tweeted, “Get ready for the firing squad.” Added Gwen Reyes (@ReelVixen): “Let Paula Deen know she can make her comeback on Dads.”

While some executives have called for revamping the tour, even passing on some of the millions in costs to journalists, most recognize that the advantages far outweigh any pitfalls.

“It’s true that the general tone has evolved in such a way that I don’t see it reversing,” said Andrew Wallenstein, Variety’s editor in chief, Digital. “There are new voices at the table, and to some degree it’s good for everyone. What’s happening now has brought a creativity to the coverage that can be irreverent and which also might be seen as inappropriate.”

To get more control of their press tour message, cable and network outlets are counterattacking via social media. During the contentious Dads panel, Fox was sending out promotional tweets quoting the panelists and hyping some of the panel’s funnier moments.

But Twitter snark didn’t cast a shadow over all panels. A rare exception was ABC’s highly anticipated Agents of S.H.I.E.L.D., which largely escaped a snark-attack.

Tweeted Onion/​AV Club’s Will Harris (@NonStopPop) of the panel: “It’s pretty much a snark-free zone. It’s kind of eerie, actually.”



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