LOS ANGELES — “There’s a rhythm to it, the way she works the masa,” Cynthia Gonzalez says quietly. Her mother, Dora, carefully stirs a large pot of masa for tamales over the stove. It’s smooth as custard and lightly fragrant as it begins to bubble.
Salvadoran tamales are Dora’s specialty. She’s taken more than 100 requests from family and friends already this season.
They are also tradition. Along with other family specialties, the tamales have been passed down, mother to daughter, for generations until now.
Cynthia, Dora’s only daughter, had never had any interest in cooking.
“It wasn’t my passion to be in the kitchen,” she says. “Since I was little, I was told women were supposed to be in the kitchen. And I was so against that. Why can’t women do other things?
“I loved to write.”
A poet, Cynthia has been writing and performing her work since 2006; her first book, Suspendidos en el Tiempo, was released in 2010. A second book is due out next year. She was raised in the Vermont Square neighborhood of South Los Angeles, and much of her work weaves imagery from a sometimes rough childhood and her Salvadoran culture.
And much of her poetry draws from the brutality of El Salvador’s civil war. Cynthia’s father was an engineering student at the start of the war. With only one semester left for him, his school was shut down, the military targeting students as guerrillas. “They were killing all the students,” she says. Her father was eventually forced to flee to the United States.
Pregnant with Cynthia, Dora stayed behind, but only for a little while. Shortly after Cynthia was born, soldiers searched the small back room in which they were living. “‘Does a guerrillero live here? We heard a guerrillero lived here,’ they said. The soldiers would take even young kids away. You either joined the military or the guerrilleros — whoever got you first. They even took my uncle.” Cynthia shakes her head.
Dora left El Salvador with her daughter, not yet a year old, in 1980. As the bus drove away, Dora remembers seeing bodies hanging from trees along the road. “I found my safety in poetry,” Cynthia says. She’s moved to the kitchen counter. Her mother watching at her side, Cynthia mounds fresh masa in a banana leaf, topping it with a little chicken and sauce, an olive, a few garbanzo beans and capers.
“My mom has always been reserved, quiet,” Cynthia says. “My father has always been political. About human and civil rights.” Her father was an early supporter of Cynthia’s work, going to one of her first performances.
The rest of the family was a harder sell, particularly Cynthia’s mother and grandmother. “‘You shouldn’t talk about those things,’ they’d say. It was a fear of ‘what if?’ Can this — the civil war, soldiers coming — happen again? Even here (in the United States)?”
In January 2009, Cynthia was invited to perform her work at Cal Poly San Luis Obispo. Cynthia’s grandmother, despite her failing health, and her mother reluctantly agreed to come, and they sat in the back of the packed auditorium. After the performance, they were crying. “We are so proud of you,” they said. Cynthia’s grandmother died only a few months later.
“Food is carrying on the legacy,” Cynthia says of her mother. “Mom doesn’t want to share her stories — it can be hard for her — but she does it her own way through tamales. It’s not only carrying on the tradition but also memories of her childhood and the bonds she had with these women (in her family). Women got together to cook but also to share stories. They laugh, they cry.”
Cynthia carefully folds a banana leaf over the masa and stacks the tamales in the steamer pot. “It’s a hell of a process,” Cynthia says. “It’s intimidating with this woman here.” She laughs. Actually, Cynthia admits, her mother is much more patient as a teacher than was her grandmother, known for a fiery temper and a penchant for throwing imperfect food in anger. Leaning in toward her mother, Cynthia says softly, “I want to make her proud.”
Recently, Cynthia’s mother has been sick. “My mom and I were talking about this earlier this year, and she wants to know who will carry (the recipes) on.”
After the tamales are steamed, mother and daughter retire to the kitchen table to sample their work. Dora pours a cup of coffee, Cynthia grabs a Coke. They’re soon joined by Cynthia’s aunt, the three sharing pictures and catching up on family news.
“I do like the kitchen,” Cynthia admits. “But I have yet to learn all the traditional things.
“Like poetry, cooking is healing.”
SALVADORAN CHICKEN TAMALES
5 hours. Makes 3½ to 5 dozen tamales
Powdered chicken bouillon, preferably Knorr tomato bouillon with chicken flavor
1. Sprinkle the whole chicken and breasts evenly with the salt. Squeeze the lemon over, rubbing the juice and salt into the chicken.
2. Place the chicken in a large stock pot with enough water to cover by 2 inches. Bring to a boil over high heat, then reduce the heat to a simmer and skim any foam that accumulates on the surface of the water.
3. Continue to cook for 5 minutes, skimming any additional foam, then add the halved garlic, pepper, cumin, oregano, bell peppers, cilantro, bay leaf and celery. Taste the broth, and add 2 tablespoons bouillon, or to taste.
4. Simmer the chicken for 20 to 25 minutes, adding water to keep the chicken submerged by 2 inches. The chicken may not be fully cooked (it will continue to cook in a sauce later in the recipe). Remove the chicken and strain the broth, discarding the spices and solids. Set the chicken aside until cool enough to handle, and save the broth (you should have at least 12 to 14 cups broth).
SPICES AND HERBS
1. Open up the packaged tamale spices and remove all but 2 bay leaves (the bay leaves can be discarded or saved for another use); if the packet includes a guajillo chile, disregard adding the chile called for in the ingredients. Place the spices in a dry skillet, along with the guajillo and ancho chiles. Toast the spices until fragrant, 1 to 2 minutes.
2. Place the toasted spices and chiles, along with the annato paste, in a blender along with enough hot water to cover (about 1 cup). Soak until the spices and chiles are softened, 10 to 15 minutes, then puree the mixture. Add water if needed to puree.
3. Strain the mixture, discarding the solids, and set aside.
1. In a blender (this may need to be done in batches), combine the garlic, tomatoes, green and red bell peppers, black pepper, cumin and onion. Puree to form a smooth sauce, then place in a stock pot along with the prepared spices and herbs.
2. Peel the chicken meat from the bones, discarding the skin and bones. Place the meat in the pot with the sauce, thinning the sauce if desired with chicken broth. Bring the mixture to a boil, then reduce to a gentle simmer, stirring and scraping the bottom of the pot frequently to prevent the mixture from burning. Simmer until the flavors are married and the chicken is fully cooked, 10 to 20 minutes. Taste for seasoning, adding 2 tablespoons bouillon, or as desired. Remove from heat and set aside until cool enough to handle.
1. Place the potatoes in a pot and cover with at least an inch of water. Bring to a boil and cook the potatoes until a knife pierces easily, about 30 minutes. Drain the potatoes, still unpeeled, cutting them into long, large “steak fry”-sized pieces.
2. Prepare the banana leaves: Trim any stem from the leaves, and wash if they are dirty. To soften, pass the leaves quickly over a stove-top burner (the heat will soften the leaf, making it easier to roll and fold), or run the leaves under very hot water (dry before using).
3. Prepare the ingredients to assemble the tamales. Have the chicken and sauce handy, cutting or shredding the chicken if desired into pieces. In separate bowls, place the potatoes, garbanzo beans, capers and green olives. Place a banana leaf (smooth side up) over each square of foil, stacking the squares to make the assembly easier.
1. In a large pot, whisk together the masa with 10 cups chicken broth. Place a strainer over the masa, and ladle about 11/2 cups sauce into the strainer, whisking the strained sauce into the masa (toss any solids back in with the sauce). Whisk in the canola oil. Taste the mixture, and add 3 tablespoons bouillon, or as desired for flavor. Continue whisking in broth to thin the texture of the masa, along with additional oil as desired for richness. The final mixture should be smooth and have a consistency similar to ketchup.
2. Bring the mixture to a boil over medium-high heat, stirring constantly with a wooden spoon. Scrape the bottom of the pan frequently to keep the masa from scorching. Taste frequently, adding additional salt, water, sauce, chicken broth or oil. The trick is to keep the masa moving constantly; never stop moving, shaking or stirring the masa with a wooden spoon. Once the mixture comes to a boil, it is ready to use in the tamales. The mixture should be thick enough to stay in a tamale when assembling but not too thick that the tamale is difficult to fold.
TAMALE ASSEMBLY AND COOKING
1. Ladle a spoonful of masa (about one-half cup) onto the banana leaf about a third of the way from the edge, and top with a little chicken and a drizzle of sauce. Add a slice of potato, a few garbanzo beans, a few capers and 1 olive. Fold the banana leaf over the filling to form a tube, gently tucking in the filling and removing any air pockets. Fold over the foil, then tuck in the sides, sealing the tamale. Repeat until all of the tamales are formed. (If the masa thickens too much while assembling the tamales, stir in additional broth or water to thin.)
2. Fill the steamer with boiling water up to the measured line, and line the base with a layer of banana leaves. Start laying the tamales in the steamer, first along the outer rim and then in the center. Repeat, stacking the tamales in the steamer. Place a few banana leaves over the top layer of tamales.
3. Cover and steam the tamales until the masa is set, 1 to 2 hours (timing will vary greatly depending on the size of the tamales and how many are stacked in each tamale pot). To check for doneness, remove a tamale and gently pull away the banana leaf; if the masa sticks, the tamale is not done. The tamales are finished when the banana leaf pulls away cleanly and the masa holds its shape.
4. Remove the tamales and cool before serving.
EACH OF 60 TAMALES
NOTE: Adapted from a recipe by Dora Gonzalez.