It sta on your parents' shelf, or maybe your grandparents', alongside the six volumes of Winston Churchill's chronicle of World War II and the 11 volumes of Will and Ariel Durant's The Story of Civilization.
It had two distinctions. One was the menacing swastika on the spine of the book. The other was that it was the only one of those 18 volumes that anyone in your family ever actually opened.
It is William Shirer's The Rise and Fall of the Third Reich, and more than a million people did more than buy it or open it. They read it. It may be, aside from the Bible, the biggest book ever read by a big audience, and that audience devoured it, discussed it, and was shaped by it.
A generation of Americans formed its view of the horrors of Nazi Germany between 1933 and 1945 from its pages, or from elders or teachers who had read it and were molded by it. No other book of history in the past century remotely approaches its reach, influence, and significance.
That is a remarkable achievement, even more so because this work of history was undertaken by a journalist -- one whose career flared and flamed out, one whose work was questioned if not pilloried, one who wrote the book because he needed the money, much as Ulysses S. Grant wrote his remarkable personal memoirs to pay for his own funeral and assure the financial security of his wife and children.
The six volumes of Churchill's The Second World War are a great read, better than you expect, all the better in fact because they are so one-sided and self-serving. I have no idea whether the Durants' civilization series is any good because I have never opened a single volume of that series, even though it has rested on my shelf for more than three decades.
But Shirer's volume is one of the great reading experiences. Now it has been re-issued in a new edition commemorating the 50th anniversary of its selection for the National Book Award. Nowhere except between the covers of that book have so many read so much about, for example, the three Reichstag elections held within five months in 1932 -- and much more.
So important a cultural force was Rise and Fall that Time magazine listed it as one of the eight best nonfiction books written since 1923, when the magazine was founded. Shirer made, as Ron Rosenbaum wrote in an introduction prepared for the commemorative edition, "a kind of a leap from eyewitness war correspondent to archival historian."
Shirer was, as Dean Acheson said in a different context, present at the creation (though not at the destruction). But he sought, as Mr. Rosenbaum put it, to write like "the kind of historian, who, like Thucydides, had first-hand experience of war and then sought to adopt the analytic distance of the historian."
That almost never works for journalists; piles of campaign books, forgotten weeks after they are published, provide sad testimony to that. Like no other book of the period, Shirer's possesses the gravitas of the archives as well as the grit of the streets.
Shirer himself had a rise and fall -- a rise from Cedar Rapids, Iowa, to the world stage, where he intersected with Adolf Hitler and Mohandas Gandhi, representatives of the two extremes of 20th century history. Then he had a fall from grace when, as the original of the fabled "Murrow Boys" at CBS, he fell afoul of Edward R. Murrow and William Paley and fell into near penury, in part as a result of his name appearing on a list of media leftists.
"To keep the family afloat, his only option was to dream up another book idea," Steve Wick wrote in The Long Night, published earlier this year, a chronicle of Shirer's life covering Germany.
The plan: Use captured German documents as the basis for an authoritative account of Hitler's ascent and decline. It won him a $10,000 advance from Simon and Schuster. No one thought Shirer would ever earn back that advance -- including Shirer:
"I began to see that soon I would be back to where I had been for the last dozen years: struggling to make ends meet and not quite making it," he wrote in A Native's Return.
Shirer's book still has lessons. Jonathan Steinberg, who teaches modern European history at the University of Pennsylvania, considers Rise and Fall a vital primary source.
"He was there," Mr. Steinberg says. "It has a direct vividness of the eyewitness that other books lack."
The book was the first serious swipe at digesting 485 tons of confidential documents in the archives of the German government. It shaped like no other force the way Nazism was remembered in the 1960s and the way it is interpreted in 2011.
But that may not be its ultimate significance. Shirer died 18 years ago. But his book -- indeed, the book as an art form, even if it isn't always in book form -- is far from dead.
David Shribman is executive editor of the Pittsburgh Post-Gazette.
Contact him at: firstname.lastname@example.org
Guidelines: Please keep your comments smart and civil. Don't attack other readers personally, and keep your language decent. Comments that violate these standards, or our privacy statement or visitor's agreement, are subject to being removed and commenters are subject to being banned. To post comments, you must be a registered user on toledoblade.com. To find out more, please visit the FAQ.